Simbol Gunung dan Air pada Lanskap Budaya Situs Candi Agung di Kalimantan Selatan

Main Article Content

Imam Hindarto
Vida Pervaya Rusianti Kusmartono
Wahyu

Abstract

The Candi Agung site is one of the cultural landscapes in South Kalimantan. The value of this cultural landscape is closely related to living traditions, belief systems, art and literature. This cultural landscape also represents the symbols of mountains and water in the culture of the Banjar people. These two physical-naturalistic components not only describe the landscape of South Kalimantan which consists of the Meratus Mountains and the Barito River but also describe the cultural landscape of the people who inhabited it. This study discusses the meaning of mountains and water in the cultural landscape of the Candi Agung Site. The aim is to understand the Candi Agung Site as an associative cultural landscape in Banjar culture. In order to understand this, data collection was carried out through observations of the Candi Agung Site and the views of the surrounding community. A documentation study on the Lambung Mangkurat Museum collection was carried out to complete the observation data. The analysis was carried out by describing aspects of mountain and water symbolism in the Lambu Mangkurat Story and the Banjar Kings Dynasty and Waringin City or known as the Banjar Hikayat. Apart from that, descriptions were also made of literary works entitled Tutur Candi. The interpretive framework of this study refers to the view that culture is a symbol system. This study produces an understanding of the cultural system of the Banjar people which was represented in the myth of the sacredness of mountains and water. These two natural elements are representations of supernatural forces which were manifested in the toponymy "mountain" of Candi Agung and the anthroponymy of Tunjung Buih. The connection between the two also represents harmony between the microcosm and the macrocosm.


 


Key words: Environment, cultural landscape, microcosm, dualism

Article Details

How to Cite
Hindarto, I. ., Kusmartono, V. P. R., & Wahyu. (2023). Simbol Gunung dan Air pada Lanskap Budaya Situs Candi Agung di Kalimantan Selatan. PURBAWIDYA: Jurnal Penelitian Dan Pengembangan Arkeologi, 12(2), 175–191. https://doi.org/10.55981/purbawidya.2023.875
Section
Articles

References

Adiputra, I Gusti Ngurah Tri, Sudaryono, Djoko Wiyono, dan Ahmad Sarwadi. 2016. “Konsep Hulu-Teben pada Permukiman Tradisional.” Forum Teknik 37 (1): 14–30.

Ahimsa-Putra, Heddy Shri. 2012. “Fenomenologi Agama: Pendekatan Fenomenologi untuk Memahami Agama.” Walisongo 20 (2): 271–304.

Ardana, I Ketut. 2012. “Sekala Niskala: Realitas Kehidupan dalam Dimensi Rwa Bhineda.” Dewa Ruci: Jurnal Pengkajian dan Penciptaan Seni 8 (1): 139–56. https://doi.org/10.33153/dewaruci.v8i1.1097.

Daeng, Hans J. 2008. Manusia, Kebudayaan, dan Lingkungan Tinjauan Antropologi. Yogyakarta: Pustaka Pelajar.

Daud, Alfani. 1997. Islam dan Masyarakat Banjar Deskripsi dan Analisa Kebudayaan Banjar. 1 ed. Jakarta: PT RajaGrafindo Persada.

Eliade, Mircea. 2002. Mitos Gerak Kembali yang Abadi. Yogyakarta: Ikon Teralitera.

Geldern, Robert Heine. 1982. Konsepsi tentang Negara dan Kedudukan Raja di Asia Tenggara. Jakarta: Cv. Rajawali.

Imam Hindarto, Ida Bagus Putu Prajna Yogi, Rochtri Agung Bawono, M Dwi Cahyono, Ulce Oktrivia, Eko Herwanto, Nouruz Zaman Oktaby, M Wishnu Wibisono, Rini Widyawati. 2021. “Identitas Budaya Masyarakat di Lembah Sungai Negara Masa Pra Kesultanan Banjar.” Banjarbaru.

Indonesia, Badan Pelestarian Pusaka. 2019. “Piagam Pelestarian Pusaka Saujana Indonesia.” Toraja Utara.

Kadir, Mohamad Saperi. 1983. “Tutur candi.” Banjarbaru.

Kusmartono, Vida Pervaya Rusianti, Widianto Harri. 1998. “Ekskavasi Situs Candi Agung Kabupaten Hulu Sungai Utara Kalimantan Selatan.” Berita Penelitian Arkeologi 02: 1–24.

Lombart, Denys. 2019. Taman-Taman di Jawa. Depok: Komunitas Bambu.

Lukito, Nugroho Harjo. 2002. “Permukiman Masa Klasik Situs Candi Agung: Suatu Adaptasi Lingkungan dan Teknologi Tempat Hunian.” Naditira Widya 09: 31–39.

———. 2009. “Permukiman Candi Agung.” Berita Penelitian Arkeologi 3 (1): 24–35.

M. Rafiek. 2012. “Kearifan Lokal dalam Hikayat Raja Banjar.” International Journal of the Malay World and Civilisation 30 (1): 67–104.

Muchamad, Bani Noor, dan Arya Ronald. 2010. “Arsitektur Melayu Banjar: Ajaran Islam dalam Budaya Melayu Banjar Berkaitan dengan Konsep Arsitekturnya.” In Seminar Nasional Riset dan Arsitektur (SERAP) I, Humanisme, Arsitektur dan Perencanaan, 109–17. Yogyakarta: Jurusan Teknik Arsitektur dan Perencanaan Universitas Gadjah Mada.

Mujiyat, Sundari, Koko. 2002. Album Wayang Kulit Banjar. Jakarta: Badan Pengembangan Kebudayaan dan Pariwisata, Kementerian Kebudayaan dan Pariwisata.

Phillips, Adrian. 2002. Management Guidelines for IUCN Category V Protected Areas Protected Landscapes/Seascapes. Management Guidelines for IUCN Category V Protected Areas Protected Landscapes/Seascapes. Switzerland and Cambridge, UK: IUCN Gland. https://doi.org/10.2305/iucn.ch.2002.pag.9.en.

Rafiek, M. 2015. “Tumbuhan Dalam Hikayat Banjar: Larangan, Manfaat, Akibat, Asal Usul dan Pertanda” 3 (1): 107–15.

Rahman, Puteh Noraihan A, dan Zahir Ahmad. 2017. “Hubungan Simbolisme dan Spiritualisme Dewa-Raja dalam Kesusasteraan Melayu Klasik Relation of Devarāja Symbolism and Spiritualism in Malay Classical Literature.” Kemanusiaan: the Asian Journal of … 24 (2): 123–39. https://doi.org/https://doi.org/10.21315/kajh2017.24.2.5.

Ras, Johanner Jacobus. 1968. Hikajat Bandjar a Study in Malay Historiography. The Hague: Martinus Nijhoff.

Rema, Nyoman, Nyoman Sunarya. 2015. “Lingga Berhias Padma Astadala” 28 (2): 79–88.

Riana, Derri Ris. 2016. “Perbandingan Unsur Intrinsik dalam Cerita Rakyat ‘Putri Junjung Buyah’ di Kalimantan Timur dan “Putri Junjung Buih" di Kalimantan Selatan: Sebuah Kajian Intertekstual” XV (2): 149–59.

Rössler, Mechtild, dan Roland Chih-hung Lin. 2018. “Cultural Landscape in World Heritage Conservation and Cultural Landscape Conservation Challenges in Asia.” Built Heritage 2: 3–26.

Soekmono. 2017. Candi Fungsi dan Pengertiannya. Yogyakarta: Penerbit Ombak.

Subiyantoro, Slamet. 2009. “Patung Loro Blonyo dalam Kosmologi Jawa.” Humaniora 21 (2): 162–73.

Sunarningsih. 2006. “Ekskavasi Situs candi Agung, Kabupaten Hulu Sungai Utara, Kalimantan Selatan (Tahun 2004).” Berita Penelitian Arkeologi 17: 15–34.

Tulistyantoro, Lintu, Ronald H.I. Sitinjak. 2007. “Inventarisasi Bentuk dan Ragam Hias pada Gunungan Makam Raja-Raja Madura sebagai Nilai Tambah untuk Pembangunan Pariwisata di Madura.” Surabaya.

Utama, Bambang Budi. 2016. Pengaruh Kebudayaan India dalam Bentuk Arca di Sumatra. Jakarta: Yayasan Pustaka Obor Indonesia.

Vizzari, Marco. 2011. “Spatial modelling of potential landscape quality.” Applied Geography 31 (1): 108–18. https://doi.org/10.1016/j.apgeog.2010.03.001.

Wardani, Laksmi Kusuma. 2012. “Planologi Keraton Yogyakarta.” In Archaeology Art and Identity, diedit oleh Jajang Agus Musadad, Sonjaya, 143–61. Yogyakarta.

Wasita. 2011. “Persepsi Peziarah Muslim dalam Pemanfaatan Situs Candi Agung di Amuntai Kalimantan Selatan.” Universitas Gadjah Mada.

———. 2017. Manggamit Rumah Adat Banjar. Diedit oleh Bambang Sulistyanto. Yogyakarta: Penerbit Ombak.

Yuniar, Herlina, Kuntorini Evi Mintowati, Sari Sasi Gendro. 2017. “Pemanfaatan Tumbuhan Teratai (Nymphaea) di Desa Tambak Baru Ilir, Martapura, Kabupaten Banjar.” Bioscientiae Jurnal Ilmu-Ilmu Biologi 14 (1): 1–10. https://doi.org/https://doi.org/10.20527/b.v14i1.4012.

Zimmer, Heinrich. 1946. Myth and Symbols in Indian Art and Civilization. Diedit oleh Joseph Cambell. Washington D.C: Pantheon Books Inc.