Iconography analysis of flower and animal ornaments on the prabhamandala of Shiva statue of the National Museum Indonesia

Analisis ikonografi ornamen bunga dan binatang pada prabhamandala arca Siwa koleksi Museum Nasional Indonesia

Authors

Keywords:

National Museum Indonesia, Mahadeva, Shaiva siddhanta, padma, hamsa

Abstract

Shiva is one-third of the highest Gods in Hindu religion, who together with Brahma and Vishnu form Trimurti. The worship of Shiva is embodied in the form of lingga or a statue, decorated with distinctive ornaments and attributes commonly depicted to identify Shiva. A statue with inventory number 29a/3184 in the National Museum Indonesia depicts Siwa with flower and animal ornament which have never been found in other Shiva statues. This article aims to investigate the religious concept flourished during the making of this statue by conducting an iconographic analysis on the said ornaments. Through a descriptive-explanatory approach, the author suggests that the Indian lotus (padma) and goose (hamsa) ornaments are the representation of Shaiva Siddhanta rite practiced during XIII-XIV century CE in the eastern Java.

References

Achari, P. S. R. R. (2015). Hindu iconology: The study of the symbolism and meaning of icons. Simha Publications.

Acri, A., & Jordaan, R. (2012). The Dikpālas of ancient Java revisited: A new identification for the 24 directional deities on the Śiva temple of the Loro Jonggrang complex. Bijdragen tot de taal-, land- en volkenkunde / Journal of the Humanities and Social Sciences of Southeast Asia, 168(2–3), 274–313. https://doi.org/10.1163/22134379-90003562

Asianto, D. R. (2015). Karakteristik arca pada kompleks percandian Dieng [Universitas Gadjah Mada]. http://etd.repository.ugm.ac.id/penelitian/detail/82478

Aye, K. T. (2018). The vehicles of God and Goddess. Myanmar Academy of Arts and Science, XIV(7), 175–187.

BPCB Jateng. (2018). Siwa Mahadewa. https://kebudayaan.kemdikbud.go.id/bpcbjateng/siwa-mahadeva/

Darma, I. K. S. W. (2019). Pengarcaan dewa Wisnu pada masa Hindu-Buddha di Bali (Abad VII-IX Masehi). Forum Arkeologi, 32(1), 51–62. https://doi.org/10.24832/fa.v32i1.548

Dasji, S. S., & Vedantacharaya. (2013). Vishnusahasranam (with English interpretation) (Sajimon (Ed.)). Shree Swaminarayan Mandir.

Davis, R. H. (1991). Ritual in oscillating universe: Worshiping Siva in medieval India. Princenton University Press.

Dewi, N. M. E. K. (2019). Teologi dalam pemujaan Siwa Lingga. Genta Hredaya, 3(2).

Dudeja, J. P. (2018). Analysis and benefits of chant-less sohum/humsa mantra meditation. International Journal of Yogic, Human Movement and Sport Sciences, 3(2), 198–203.

Fahruddin, A., & Pamungkas, Y. H. (2013). Saiwasiddhanta: Penelusuran aliran Siwaisme di Jawa Timur periode klasik. Avatara E-Journal Pendidikan Sejarah, 1(2), 241–254.

Fannani, A. (2016). Apa yang anda ketahui tentang Kerajaan Wijayapura Kalimantan Barat? https://www.dictio.id/t/apa-yang-anda-ketahui-tentang-kerajaan-wijayapura-kalimantan-barat/102270

Goris, R. (1974). Sekte-sekte di Bali. Bharata.

Hardiati, E. S. (2010). Aspects of Indonesian archaeology no. 28: Hindu-Buddhist iconography in Sumatra. Pusat Penelitian dan Pengembangan Arkeologi Nasional.

Hong, E. J. (2017). Lotus: Symbol of rebirth and resurrection. Eurasian Journal of Analytical Chemistry, 13(3), 241–249.

Idedhyana, I. B., Sueca, N. P., Dwijendra, N. K. A., & Wirabawa, I. B. (2020). Architecture of Padmasana Tiga in Besakih Temple, Bali Indonesia: Interpreted from the concept of Shiva Siddhanta. International Journal of Advanced Science and Technology, 29(11), 13–26.

Kavakebi, C. (2016). Trimurti manifestation in Hindu temples. Journal of Art and Civilization of the Orient, 3(10), 45–54.

Kempers, A. J. B. (1959). Ancient Indonesian art. Harvard University Press.

Kieven, L. (2017). Menelusuri Panji di candi-candi: Relief figur bertopi di candi-candi zaman Majapahit. Kepustakaan Populer Gramedia.

Kramrisch, S. (1946). The Hindu temple. University of Calcutta.

Kramrisch, S. (1981). Manifestations of Shiva. Philadelphia Museum of Art.

Laser, T. (2015). Gods and Goddesses of ancient India (First Edit). Britannica Educational Publishing.

Lelono, T. M. H. (2013). Bahan dan cara pembuatan arca batu sebagai komponen penting candi-candi masa klasik di Jawa. Berkala Arkeologi, 33(1), 93–108. https://doi.org/10.30883/jba.v33i1.8

Liebert, G. (1976). Iconographic dictionary of the Indian religions: Hinduism-Buddhism-Jainism. E. J. Brill.

Marbaniang, D. (2015). History of Hinduism: Pre-vedic and Vedic age (e-book). Lulu.com.

Maulana, R. (2002). Siva Mahadeva: Suatu analisis ikonografi di Jawa masa Hindu-Buddha. Makara, 6(1), 1–6. https://doi.org/10.7454/mssh.v6i1.16

Mishra, D. (2007). Lord Vishnu. Magazines.odisha.gov.in, 27–28.

Monier-Williams, M. (1986). Sanskrit-English dictionary: Etymologically and philologically arranged (10th ed.). Motilal Namarsidass.

Mustafa, M. (2014). Pengaruh Hindu pada beberapa wilayah di Jawa Barat melalui arca-arca koleksi Museum Sribaduga. Etnohistori, 1(2), 112–120. https://doi.org/10.33387/jeh.v1i2.815

Nastiti, T. S. (2014). Jejak-jejak peradaban Hindu-Buddha di Nusantara. Kalpataru, 23(1), 63–64. https://doi.org/10.24832/kpt.v23i1.49

Olivelle, P. (1992). Samnyasa Upanisads: Hindu scriptures on asceticism and renunciation. Oxford University Press.

Paramadhyaksa, I. N. W. (2016). Filosofi dan penerapan konsepsi bunga padma dalam perwujudan arsitektur tradisional Bali. Langkau Betang, 3(1), 28–42. https://doi.org/10.26418/lantang.v3i1.16720

Pillai, J. M. N. (1911). Studies in Saiva-Siddhanta. The Meykandan Press.

Poesponegoro, M. D., & Notosusanto, N. (Ed.). (2010). Sejarah nasional Indonesia II: Zaman kuno. Balai Pustaka.

Prentis, K. P. (1996). A Tamil lineage for Saiva Siddhanta philosophy. History of Religions, 35(3), 231–257. https://doi.org/10.1086/463426

Riyani, M. (2015). Local genius masyarakat Jawa Kuno dalam relief Candi Prambanan. Jurnal Seuneubok Lada, 2(1), 9–20.

Santiko, H. (2013). Dua dinasti di Kerajaan Mataram Kuna: Tinjauan prasasti Kalasan. Sejarah dan Budaya, 7(2), 1–7.

Sedyawati, E. (1980). Pemerincian unsur dalam analisa seni arca. In Pertemuan Ilmiah Arkeologi I (hal. 208–232). PT. Rora Karya.

Sedyawati, E. (1994). Pengarcaan Gaņeśa masa Kadiri dan Siŋhasāri: Sebuah tinjauan sejarah kesenian. LIPI-Rul.

Sheshadri, K. (2016). Classification of flowers as gleaned from ancient Indian literature and culture. Asian Agri-History, 20(3), 181–199.

Suhardi, U. (2019). Eksistensi Lingga sebagai media pemujaan Hindu di Desa Linggoasri, Kecamatan Kajen, Kabupaten Pekalongan, Jawa Tengah: Sebuah tinjauan perspektif sejarah. Widya Aksara: Jurnal Agama Hindu, 24(1), 40–49.

Williams, G. (2003). Handbook of Hindu mythology. ABC-CLIO, Inc.

Published

2024-03-23

How to Cite

Murdihastomo, A. (2024). Iconography analysis of flower and animal ornaments on the prabhamandala of Shiva statue of the National Museum Indonesia: Analisis ikonografi ornamen bunga dan binatang pada prabhamandala arca Siwa koleksi Museum Nasional Indonesia. Berkala Arkeologi, 41(2), 177–194. Retrieved from https://ejournal.brin.go.id/berkalaarkeologi/article/view/4185

Issue

Section

Articles